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The play delves into the profound narrative of Cuban political prisoners and highlights the inhumane practices in Cuba over the past six decades. Crafted by the children of Cuban exiles, it's not just a performance but a heartfelt tribute to our history.
Now at the
American Museum
of the Cuban Diaspora
Your tickets include
Complimentary welcome toast by
The Real Havana Club
A preview of
the new immersive Cuban exhibit at the American Museum of the Cuban Diáspora
Seating to our one-act drama inspired
by Robby Ramos’ grandfathers plight
as a political prisioner
Exclusive access to our rum lounge
with craft cocktails brought to you
by The Real Havana Club
Take a walk through 1960s Cuba to the present day
About Us
The history
About the play
Inspired by the writers grandfather’s experience as a political prisoner in el Presidio Modelo at Isla de Pinos, we explore the crossroads between family and political ideology. Emotional, rooted in character, at times comedic and absurd, The Walls Have Ears is a love letter to cuban political prisoners and the cuban diaspora.
FAQS
1. What is the main theme of "The Walls Have Ears"?
2. How long is the play?
3. Is there an age limit for attendees?
4. Where is the play taking place?
5. What can I expect after the play?
Alexander “Ota Ola”
April
“Realmente impresionante. 100% recomendable.”
Rosa Maria Payá, Cuba Decide
April
“Una obra que captura el centro del drama Cubano y lo pone donde esta, en el núcleo de la familia cubana.”
Lilo Vilaplana, director de ‘Plantados’
April
“Un mensaje muy duro de lo que sigue pasando en las cárceles en Cuba. Esta obra lo refleja todo. Es un hecho teatral importante.”
JenCarlos Canela, Musician
April
“Incredibly dynamic and original. Immersive. You have the actors really breathing and walking right there in front of you. Its just a full experience from beginning to end.”
Miami Helard
April
“simmering unease. Ratcheting up the tension until it explodes. An abrubt, horrific finish.”
Florida Theater on Stage
April
“Grippingly realistic. Audience members are indeed the walls and the ears of the action.”
Directorio Cubano
April
“A tour de force by a new generation of artists, deeply Cuban and deeply American, who offer us deep insight into the tragic coexistence of both worlds.”
-Dr Orlando Gutierrez Boronat
Alexander “Ota Ola”
April
“Realmente impresionante. 100% recomendable.”
Rosa Maria Payá, Cuba Decide
April
“Una obra que captura el centro del drama Cubano y lo pone donde esta, en el núcleo de la familia cubana.”
Lilo Vilaplana, director de ‘Plantados’
April
“Un mensaje muy duro de lo que sigue pasando en las cárceles en Cuba. Esta obra lo refleja todo. Es un hecho teatral importante.”
JenCarlos Canela, Musician
April
“Incredibly dynamic and original. Immersive. You have the actors really breathing and walking right there in front of you. Its just a full experience from beginning to end.”
Miami Helard
April
“simmering unease. Ratcheting up the tension until it explodes. An abrubt, horrific finish.”
Florida Theater on Stage
April
“Grippingly realistic. Audience members are indeed the walls and the ears of the action.”
Directorio Cubano
April
“A tour de force by a new generation of artists, deeply Cuban and deeply American, who offer us deep insight into the tragic coexistence of both worlds.”
-Dr Orlando Gutierrez Boronat
Alexander “Ota Ola”
April
“Realmente impresionante. 100% recomendable.”